Height: 33cms
Date: Circa 1880
£POA - What does POA mean?
Product Code: KPCE205
Artist / Company: Makuzu Kozan
Simply put, POA stands for “Price on Application”.
With some of our pieces, we prefer not to openly publish our asking price. We absolutely welcome visitors to the website to contact us to enquire about the cost of such pieces.
We just prefer to have a conversation to allow us to explain the pricing as well as to talk in more detail about the piece in question.
It doesn’t necessarily mean that it is a super expensive piece but it may just be that there is something unique or special that we would like to be able to tell you about in more detail.
Contact us to find out more.
A stylish pair of Japanese ceramic vases by Makuzu Kozan.
The vases are of a unique double gourd design with tulip petals to the lower half, decorated with opulent restraint in a palette of yellow red and blue the body of the gourds has a fine swirling motif with stylised flowers resembling snowflakes. The tulip petals each have a semi three dimensional peony blossom seemingly held in place with an elegant silk cord.
Makuzu Kozan (1842-1916)
Makuzu Kozan was a Japanese Imperial Ceramicist and one of the most artistically accomplished potters of the Meiji period.
His works all have an extraordinary uniqueness to them, yet can be easily spotted as being imagined into life by this master craftsman. Though they were created over 100 years ago the designs are timeless and rival modern ceramics in their innovative and unique style.
As well as being highly collectable and sought after today, his genius was recognized in his lifetime, he won prizes at 51 exhibitions including the famous Worlds fair. Originally born Miyagawa Toranosuke, came from Kyoto and was from a long line of accomplished potters who were known for making tea utensils. At the age of 18 Toranosuke took over the business from his father and became Makuzu Kozan. He had trained with bunjinga (intellectual painters) and brought this artistic flair to his family craft. In 1870 he moved the workshops to Yokohama, seeing an opportunity for trade as it had recently opened as a treaty port.
Despite there being no historic ceramic or craft tradition in Yokohama and the first few years being difficult he made a success of his business. Though not through entirely honest means; at the time new satsuma-ware was distressed to look old and sold and antique there is solid evidence that Makuzu participated in this dubious trade.
This provided the capital to allow him to create more artistic wares and as Japan opened more to trade and began exhibiting at fairs and expositions he really came into his own. His high relied works at the Philadelphia exposition caused a real stir and the world turned it’s eye to Japanese ceramics. He also expanded to non-satsuma ceramics, many of which were shown at the Tokyo Exposition of 1877, this is where The Emperor touched one of his vases, propelling him to recognition and stardom.He also excelled in the technical aspects of the ceramic arts winning prizes for his innovation in glazes.Despite suffering health and money problems towards the end of his life a vase exhibited at the Japan-British Exhibition of 1910 was described as a perfect piece both artistically and technically. His work massively influenced Western perceptions of Japanese art and design and these ripples can still be seen in Japanese art today.
We completely understand that purchasing art and antiques online is a relatively new concept to many people, so our team will be very happy to provide additional information and support along the way.
We are members of BADA, LAPADA and CINOA, working closely with these associations and we are very proud of our reputation as one of the most established, valued and trusted dealers of Japanese and Chinese Art and Antiques in the industry.
Our galleries in Islington are open Monday through to Saturday (from 1030 to 1630) by appointment only. Please do not hesitate to contact us for more information.
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