Width: 41cms
Height: 41cms
Date: 1868 - 1912
£5,950
Product Code: KPCE149
Artist / Company: Kinzan and Kinzando
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A beautifully painted large plate or charger depicting boys enacting a procession within the grounds of a Palace.
In the distance more boys are depicted sailing on boats, standing on the verandah and even riding on a flock of red-crowned cranes.
As the boys seems to be running riot and enjoying themselves it may depict the Boys Festival celebrated on the 5th May in Japan.
The large scene is framed within a narrow key-fret Greek style border.
Signed with Kinzando Sei seal and impressed mark.
Condition is very good. Please contact us for further information or to arrange a viewing.
Boys Festival
The Boys festival (Tango no Sekku) was one of the five annual ceremonies held at the imperial court, and was celebrated on the 5th of May, until 1948 there was a sepreate Girl’s day (Hinamatsuri) which was celebrated on the 3rd of March. The two days are now both celebrated on the 5th May, it is a national holiday set aside to respect children’s personalities and to celebrate their happiness.
Red Crowned Crane
In Japan the the red crowned crane is a much revered bird it is a symbol of strength, good fortune and longevity. The Crane was thought to live for 1000 years, in captivity red crowned cranes have been known to live for 75 years making it one of the longest lived birds. The red crowned crane is currently endangered due to loss if it’s wetland habitat with less then 2000 individuals in the wild, about 950 of these being in Japan.
Satsuma
Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyūshū, Japan’s third largest island. The first kilns were established here is the 16th century by Korean potters kidnapped by the Japanese for their extraordinary skills, prior to this there was no ceramic industry in Satsuma.
The first presentation of Japanese arts to the West was in 1867, Satsuma was one of the star attractions, it was this that established the satsuma aesthetic we are most familiar with today. This export style reflects the foreign tastes of the time, popular designs featured millefleur (million flower), and complex filled in patterns. Many pieces featured panels depicting typical Japanese scenes to appeal to the west such as pagodas, cherry blossom, birds and flowers and beautiful ladies and noble men in traditional dress. The height of popularity for Satsuma was the Meiji Period and many of the most beautiful and artistically accomplished works were made during this time.
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