Height: 21.5cms
Date: 19th Century
£POA - What does POA mean?
Product Code: KP0017
Simply put, POA stands for “Price on Application”.
With some of our pieces, we prefer not to openly publish our asking price. We absolutely welcome visitors to the website to contact us to enquire about the cost of such pieces.
We just prefer to have a conversation to allow us to explain the pricing as well as to talk in more detail about the piece in question.
It doesn’t necessarily mean that it is a super expensive piece but it may just be that there is something unique or special that we would like to be able to tell you about in more detail.
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A Japanese Meiji Period (1886-1912) satsuma vase decorated with three panels, two lakeside landscape scenes one in winter one in spring and a portrait of the god Taishuku-Ten on the back of an elephant, on a complex ground with butterfly and geometric patterns and molded tassel decoration. The pierced silver lid is decorated with bamboo and flowers.
Signed Meizan, this is an unusual Meizan mark which was reserved for the finest pieces.
Condition – Excellent
Taishuku-Ten
Taishuku-Ten is a Buddhist version of the Hindu God Indra, he is one of the twelve Devas, guardian deities found around Buddhist temples. He resides and rules over the six realms of rebirth and has power over lightening, similar to the Western gods Zeus and Thor, as well as an elephant mount.
Satsuma
Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyūshū, Japan’s third largest island. The first kilns were established here is the 16th century by Korean potters kidnapped by the Japanese for their extraordinary skills, prior to this there was no ceramic industry in Satsuma.
The first presentation of Japanese arts to the West was in 1867, Satsuma was one of the star attractions, it was this that established the satsuma aesthetic we are most familiar with today. This export style reflects the foreign tastes of the time, popular designs featured millefleur (million flower), and complex filled in patterns. Many pieces featured panels depicting typical Japanese scenes to appeal to the west such as pagodas, cherry blossom, birds and flowers and beautiful ladies and noble men in traditional dress. The height of popularity for Satsuma was the Meiji Period and many of the most beautiful and artistically accomplished works were made during this time.
Meizan
Meizan was a satsuma workshop located in Kanazawa producing good to exceptional work, they worked for Seikozan and are actually believed to be the source of many of their pieces.
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