Height: 39cms
Date: Circa 1880
£8,500
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Product Code: KPCE318
Artist / Company: Hozan
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From our collection of antique Japanese ceramics, this striking, large (39cm in height) pair of Satsuma vases signed Hozan and dating to around 1880.
Each vase of elongated form and with three main decorated panels surrounded by vibrant cascading Wisteria.
The front panel of each vase depicts men, women and children at the entrances to a Shrine complex. Other buildings appear in the background, all under the watch of a resplendent, snow-capped Mount Fuji.
The second panel also showing scenes of idyllic Japanese life with mothers taking their young children across a bridge over a steam. They are dressed in beautiful robes and hold picnic baskets. Thatched cottages stand either side of the river and once again, the peak of Mount Fuji is seen in the distance.
The third panel is richly decorated with vibrant wood pigeons in the boughs of a cherry tree laden with blossom. The blossom painted with a thick moriage effect to create a three-dimensional effect. Underneath the Sakura, butterflies are drawn to giant, flowering Peonies.
The shoulder of each vase with a detailed flowering foliate gold design which is replicated at the foot where there are also stylised Phoenix and Chrysanthemum Mon.
Signed Hozan to the underside along with the Shimazu Crest and with original wood stands.
Offered in fine condition as shown in the photographs. Please feel free to contact us for further information, images, video or to arrange a viewing.
Click on the video below to see a slideshow of photographs of this beautiful piece:
Satsuma
Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyūshū, Japan’s third largest island. The first kilns were established here is the 16th century by Korean potters kidnapped by the Japanese for their extraordinary skills, prior to this there was no ceramic industry in Satsuma.
The first presentation of Japanese arts to the West was in 1867, Satsuma was one of the star attractions, it was this that established the satsuma aesthetic we are most familiar with today. This export style reflects the foreign tastes of the time, popular designs featured millefleur (million flower), and complex filled in patterns. Many pieces featured panels depicting typical Japanese scenes to appeal to the west such as pagodas, cherry blossom, birds and flowers and beautiful ladies and noble men in traditional dress. The height of popularity for Satsuma was the Meiji Period and many of the most beautiful and artistically accomplished works were made during this time.
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